Edwin Aparicio: Selected Works
Two heart-stopping evenings of must-see flamenco
WASHINGTON, D.C.—In Edwin Aparicio: Selected Works, flamenco performer and choreographer Edwin Aparicio has curated choreographies from his acclaimed repertoire alongside new evolutionary material. Among the highlights of this production are the expanded corps de ballet, featuring some of D.C.’s most dynamic talent, original musical compositions and arrangements of traditional flamenco music, and a solid foundation of the authentic flamenco song.
The rising popularity of flamenco and a concentration of gifted artists has made Washington D.C. one of the epicenters of the Andalusian art form in the United States. Edwin Aparicio, described by critics as being “the most amazing dancer seen in years,” having “hellfire footwork” and choreographies with “beautiful, evocative imagery,” is at the forefront of the U.S. flamenco movement. His five original productions (Bailes Inéditos, Encuentros, Íntimo, Camino/al flamenco and Entresueño) presented in a constellation of U.S. cities earned accolades from flamenco connoisseurs as well as from the mainstream audience for their quality and passion. In the Edwin Aparicio: Selected Works, Aparicio revisits his best original choreographies as he continues to distill the essence of flamenco, stripping away the meaningless trappings and allowing the audience to experience the art in its pure essence.
The production highlights the individual and collective mastery of the seventeen flamenco performers ranging from highly acclaimed singer Jesús Montoya to the rising stars of flamenco in the U.S., “Genoveva” and the New York City-based Rebecca Thomas. Original musical arrangements and compositions by the Afghani-born guitarist/percussionist Behzad Habibzai and Richard Marlow add a fresh layer of art to the choreographic canvas of Edwin Aparicio’s work, which is steeped in years of mastery and talent.
One of the pieces in the production is “Martinete,” originally created for Aparicio’s Camino/al flamenco, and inspired by the choreographer’s personal quest for identity sparked by the Civil War in his native El Salvador and the immigration which followed. “Alegrias” from Encuentros is the artist’s signature work, incorporating eleven years of Aparicio’s experience as a performer, teacher, and choreographer. “I am particularly excited about this presentation of “Alegrias,” as I take it to a new level, pushing the limits of my movement and inspiration, and amplifying it through the expanded corps de ballet.”
Set in Washington D.C.’s historic Tivoli building, which has been revitalized with the artistic spirit of the GALA Hispanic Theater, Edwin Aparicio: Selected Works is guaranteed to inspire and wow the audience. With only two presentations (Friday, December 7, and Saturday, December 8, 2007), this is a must-see performance.
MORE INFORMATION & CONTACTS:
Flamenco Aparicio • flamencoaparicio@gmail.com
Click Here to read an interview with Edwin Aparicio by Miguelito on DCFlamenco.com
**NEW** Click Here to watch a few clips from the show (on YouTube)
Meet The Cast |

Photo by Lonie Tague | Edwin Aparicio Artistic Director / Dancer Edwin Aparicio is considered to be one of the most sought-after flamenco performers, teachers and choreographers in the United States. He has been described by critics as “the most amazing dancer seen in years” having “hellfire footwork” and choreographies with “beautiful, evocative imagery”.
Trained by the world renowned flamenco artists Tomás de Madrid and “La Tati”, Mr. Aparicio made his debut at the legendary Casa Patas in Madrid in 2001. He performed with The Washington National Opera at The Kennedy Center, under the direction of Plácido Domingo in El Gato Montés in 1997 and in Don Giovanni in 2003.
Mr. Aparicio has performed as a soloist throughout the United States with ensembles such as the “José Greco Spanish Dance Company” and Reynaldo Rincón’s “Romería Flamenca”. He has shared the stage with such internationally celebrated artists as Chuscales, Silverio Heredia, Roberto Castellón, Pedro Cortés, “La Truco”, Elena Andújar, Carmela Greco, Pastora Galván and José Luis Rodríguez.
From 1999 to 2004, he served as Assistant Director, choreographer and performer of the “Arte Flamenco” Dance Company. Mr. Aparicio was a featured performer in the 2002 Annual Chicago Flamenco Festival. In 2005, he imparted master classes at the Festival and was invited to partake in a program on flamenco organized by the Cervantes Institute.
Mr. Aparicio was invited to participate in the 2004 and 2005 Flamenco in the Sun Annual Festival in Miami together with internationally renowned figures Belén Maya, Pastora Galván, Pedro Cortés and José Luis Rodríguez. In 2005 and 2006, Mr. Aparicio was invited to participate in GALA Hispanic Theatre’s annual “Fuego Flamenco” Festival. In addition Mr. Aparicio performed with “Jóvenes Flamenco” as a soloist and a company member at the Centro Cultural de San Blas in Madrid, Spain.
He is the artistic director and choreographer of the productions Al Andalús, a production sponsored by the Creative Alliance of Baltimore, Camino / al flamenco, Encuentros, co-director and choreographer of Bailes Inéditos, and director and choreographer of the nationally acclaimed production Íntimo with Carmela Greco, which was presented in Washington DC, Philadelphia, Chicago, Pittsburgh, Portland OR, and most recently Kean University in New Jersey.
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 Photo by Lonie Tague | "Genoveva" Assistant to the Director / Dancer Genovieve Guinn, "Genoveva", began dancing flamenco in Austin, Texas in 1993. She studied extensively in Madrid, Seville and Jerez (in Spain) with such masters as "Eva la Yerbabuena", Cristóbal Reyes and Farruquito. "La Genoveva" performed in theaters and tablaos (flamenco venues) in many parts of the world including "Las Carboneras" in Madrid. She is an accomplished performer who has danced in the companies of Cristóbal Reyes and Joaquín Cortés. She regularly gives flamenco classes and workshops and has participated in conferences from the United States to Taiwan. Most recently, "La Genoveva" received outstanding reviews for her performance in Edwin Aparicio's production Entresueño.
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| Jesús Montoya Special Guest Singer Cantaor (flamenco singer), Jesús Montoya, was born in Seville, Spain, into one of the oldest Gypsy flamenco family clans. He began performing at the age of seven, at which time he was known as “El Rey del Fandango Grande” (“The King of the Grand Fandango Style”) and by the age of nine the direction of his career was set as a cantaor.
Throughout his tenure as a singer, he worked with dozens of revered flamenco artists, including: Fernanda Romero, Isabel Vargas, Andrés Marín, Pepe Ríos, La Cipri, Manuela Salazar, Carmen de Torres, Juan Ogalla, Alejandro Granados, Isabel López, Omayra Amaya, Ciro, Juaquín Rúiz, Estrella Morena, “La Truco”, Carmela Greco, Pepa Montes, Manolete, and Edwin Aparicio.
Mr. Montoya immigrated to the United States in 1990. Since then, he has resided in Long Beach, California, has made several recordings and has toured with many of the major Flamenco companies throughout the United States and Canada, including: José Greco, María Benítez, La Tania, Yaelisa’s “Caminos Flamencos”, Susana DiPalma’s “Zorongo Flamenco”, and others.
Mr. Montoya is affectionately known as “El Genio Gitano” (“The Gypsy Prodigy”), while the media reviewers have dubbed him as the “Pavarotti of Flamenco”. In addition, his voice can be heard in many television commercials.
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 | Felix de Lola Guest Singer Felix de Lola hails from Seville, Spain, where he began his singing career with the Compallo family and went on to study with a myriad of renowned flamenco singers, such as Jesús Heredia, José de la Tomasa and Naranjito de Triana.
In recent years, Felix de Lola has performed extensively throughout Western and Eastern Europe, Costa Rica, South Africa and the United States, working with highly acclaimed flamenco artists, including Juan Polvillo, Belén Maya, Carmela Greco, Pastora Galván, Antonio Granjero, La Tania, Antonio Hidalgo, Edwin Aparicio, Maria Benitez, José Luís Postigo and guitarist and composer José Luís Rodríguez, musical director of the famed “Cristina Hoyos Flamenco Company.”
In addition to singing, Felix de Lola composes music and lyrics for flamenco songs and for theatrical works and musical adaptations for flamenco theater. In Costa Rica, he gained recognition as a leading exponent of flamenco for his musical adaptations of the works by various Costa Rican writers. His most recent projects include the adaptations of Cristy Van de Laat’s “The Red Book of Black Haiku” and of the play “Moureliana” based on the poetic works of José Néstor Mourelo Aguilar.
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 | Norberto Chamizo Special Guest Dancer Born in Germany into a family of Spanish immigrants, Mr. Norberto Chamizo began studying dance as a child and at the age of nineteen moved to Madrid, Spain, to dedicate his life to flamenco. In Madrid, Mr. Chamizo studied at the renowned flamenco school “Amor de Dios” with internationally acclaimed artists such as Tomás de Madrid, Ciro, “La Tati”, and Belén Fernández.
Since 2001, Mr. Chamizo performed as a soloist in the “Compañía Flamenca Tomás de Madrid”, with which he toured extensively throughout Russia, Ukraine, Belarus, and the Baltic states. In 2004, he performed in Greece, Italy, Egypt and Portugal as a soloist in the flamenco collective “Compañía de Madrid.” He has also been teaching flamenco master classes and performing at the local venues throughout Japan on an annual basis since 2000.
Mr. Chamizo formed his own company in 2002, which debuted “Jaleo”, Mr. Chamizo’s first work as a director and choreographer. His second work, “Flamenco Joven”, was premiered in 2004, followed by its second performance as part of a prestigious festival Jornada de Flamenco in Madrid, Spain, where Mr. Chamizo also performed as a soloist. He later incorporated “Flamenco Joven” into a zarzuela in collaboration with “El Teatro de La Villa.”
In 2005, Mr. Chamizo was invited to perform in the Baltimore Symphony Orchestra’s production of “Amor Brujo” in Baltimore and Washington DC, where he shared the stage with the US-based flamenco talent Anna Menéndez and Edwin Aparicio. Mr Chamizo also appeared as a featured dancer at the legendary Madrid-based tablaos Casa Patas with the renowned Carmela Greco and Café de Chinitas with Pepa Carrasco.
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 | Timo Nuñez Guest Dancer |
| Rebecca L. Thomas Guest Dancer
Based in New York City, Rebecca performs there as a regular on the Flamenco circuit at tablaos such as Alegrias at La Nacional, Ñ, Suba, Xunta, and Pipa. She also works with such companies as Oscar Valero Flamenco Company, Flamenco Vivo Carlota Santana, Pasion y Arte (Philadelphia) and, more recently, with Edwin Aparicio (Washington, D.C.) and Omayra Amaya. Previous to New York, Rebecca spent her time between Spain and the U.S., performing, teaching, and conducting workshops in both places. In Spain, she worked at various well-known tablaos, including Al Andalus and Las Carboneras, and also co-directed Flamenco troupe La Yedra. With La Yedra, Rebecca premiered her first original production, “Soñando Flamenco,” during their Fall 2005 tour of Upstate New York. In the U.S., Rebecca has taught Flamenco for the University of Rochester’s Program of Movement and Dance, and she continues working for Young Audiences of Rochester, performing and teaching Flamenco to children of all ages. Rebecca has trained at the internationally renowned Flamenco Academy Amor de Dios in Madrid, as well as in Granada, at Carmen de las Cuevas and at the Escuela de Danza Española with Maite Galán.
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 Photo by Tony Brown | Ricardo Marlow Guitarist
As a young child, Ricardo (Richard) Marlow was introduced to the guitar by his father, the eminent classical guitarist John E. Marlow. He went on to receive a degree from the James Madison School of Music (James Madison University) in 1997. Mr. Marlow subsequently took up the flamenco guitar and studied with master, Gerardo Núñez, in Sanlúcar de Barrameda, Spain. He has performed with the “Danza del Río Flamenco Company”, with Ana Martínez and Paco de Málaga, Anna Menendez, and since 1997, with the “Arte Flamenco” Dance Company.
Mr. Marlow fulfilled an essential role in Edwin Aparicio’s productions of “Bailes Inéditos”, “Encuentros” and “Íntimo”, where he shared stages with Jesús Montoya, Alfonso Cid, Roberto Castellón, “La Truco”, and Carmela Greco. In 2005, Mr. Marlow performed at the 20th Mayor’s Art’s Awards at the Kennedy Center Concert Hall and Manuel de Falla’s El Amor Brujo, with the Baltimore Symphony Orchestra at Strathmore in Rockville and at the Joseph Meyerhoff Symphony Hall in Baltimore. Mr. Marlow regularly performs at theaters, museums and flamenco venues in the Washington, DC and Baltimore metropolitan areas.
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photo by Miles Anderson | Behzad Habibzai Guitarist Behzad Habibzai was born in 1983 in Hamburg, Germany. His family originates from Kabul, Afghanistan. Originally a drummer and percussionist, Mr. Habibzai began playing flamenco guitar at the age of 14, the cajon followed soon after. Mr. Habibzai has performed in numerous shows, such as Edwin Aparicio’s Camino al/Flamenco, Anna Menendez’ Pastora: Pena Flamenca I & II, and Bailes Ineditos (Aparicio/Menendez). Behzad can be heard playing cajon and percussion on Don Soledad’s debut album Camino de Seda. Aside from flamenco, Behzad is in the restaurant business, having grown up in family-owned establishments. |

Photo by Michael Perez | Cecilia Terrasa Dancer Cecilia Beatriz Terrasa originates from Galicia and Mallorca, Spain. She was a founding member of Micaela Mar's "Danzamarina" and has performed in such venues as The National Theater and The Filene Center at Wolf Trap for the International Children's Festival in 2003 and 2004. Ms. Terrasa began her studies with Micaela Mar and Ulrika Frank, currently studies with Anna Menendez, Edwin Aparicio and Genevieve Guinn, and has taken workshops with Carmela Greco, Nelida Tirado and La Truco. Ms. Terrasa has performed at many local universities, festivals and tablaos. She is currently a member of Anna Menendez's flamenco group "Pastora," having participated in "Pastora: Peña Flamenca I & II." Ms. Terrasa is a faculty member at the American Dance Institute in Rockville, Maryland. |
photo courtesy of dcflamenco.com | Pam de Ocampo Dancer Pam de Ocampo studied modern, tap, and basic flamenco in her native Manila. Upon moving to the U.S., Pam began studying flamenco extensively with Natalia Monteleon and has been a member of Natalia's "Arte Flamenco" since 2003. She has performed with the company at the Kennedy Center's Millenium Stage, Baltimore Museum of Art, Walters Art Gallery, Theater Project, and the Hippodrome Theater. In 2006, Pam performed in Anna Menendez's "Peña Flamenca". Pam has also gained much of her performance experience dancing in local flamenco venues with guitarists Michael Perez and Torcuato Zamora. She has taken various workshops with artists such as Edwin Aparicio, Nelida Tirado, "La Tati", "La Truco", and Carmela Greco. She continues her flamenco training with "La Genoveva", Anna Menendez, and Edwin Aparicio. |
 | Ricardo Santiago Dancer Ricardo Santiago began his dance training as a scholarship student at Ballet Hispanico of New York. He has also received scholarships while attending SUNY Purchase, The Alvin Aily School and Dance Theater Of Harlem. He has studied with Liliana Morales, Manolo Rivera, Luis Montero, La Tati, La China, El Toleo, Omayra Amaya, Edwin Aparicio and Nelida Tirado. In addition to touring throughout the United States, Ricardo has performed in Trinidad, Germany, Spain, Bolivia, Czech Republic, Poland & Japan. He has performed in Franco Zeffirelli's productions of Carmen and La Traviata at The Metropolitan Opera, Don Giovanni at Washington Opera, Ballet Hispanico of New York, Bailes Ferrer and has appeared numerous films and music videos including Alanis Morissette's Hand In My Pocket. Ricardo has Performed as a soloist with Carmen Rubio, Sol y Sombra, Flamenco Latino, Alborada Spanish Dance, Carlota Santana, M'oro Flamenco, Flamenco Ole, Danzas Españolas, Flamenco Sepharad and Tri-Cities Opera in Binghamton, NY where he also served as Choreographer for their Production of Carmen. |
 Photo by Vic Cohen | Yolit Kachlon Dancer Yolit Kachlon started dancing flamenco ten years ago in her native Israel. Her list of flamenco teachers includes Carmel Natan-Shelly, Timo Lozano, Manolo Marin, "La Truco", and Edwin Aparicio among others. Ms. Kachlon has performed in Israel with Carmel Natan-Shelly and Timo Lozano's company and in the U.S. with Ziva's Spanish Dance Ensemble. Performance venues in the US have included the Kennedy Center's Millennium Stage, Public Playhouse Theater, Corcoran Gallery of Art, Dance Place and others. This is Ms. Kachlon's first appearance alongside Edwin Aparicio. |
| Dana Shoenberg Dancer Dana Shoenberg has been dancing flamenco in the Washington area since 1995. She has performed at the John F. Kennedy Center for the Performing Arts, the Organization of American States, the Baltimore Museum of Art, and other theatres, museums, embassies, restaurants and performance spaces in the region. She has danced with the Washington Opera (Le Cid and Dona Francisquita) and with flamenco performing groups including the Ana Martinez Dancers, Arte Flamenco with Natalia Monteleon, and Ziva's Spanish Dance Ensemble, and was recently a guest artist with Pastora, directed by Anna Menendez. She has been fortunate enough to study with La Tati, Carmela Greco, Juana Amaya, Omayra Amaya, Gloria de Jerez and others. |
| | Lisa Scott Dancer Lisa Scott has been dancing flamenco since 2000. She began her studies locally with Ziva Cohen and continued her studies with Edwin Aparicio, Anna Menendez, and Genevieve Guinn. Lisa has performed professionally in Edwin Aparicio & Anna Menendez's collaborative work, Bailes Ineditos; in Edwin Aparicio's Encuentros featuring La Truco; and in the Pastora Flamenco Dance Ensemble's performance of Pena Flamenca and their performance of Manuel de Falla's Ritual Firedance with the Baltimore Symphony Orchestra, both under the direction of Anna Menendez. Lisa's passion for flamenco has also led her to travel annually to Spain. For the past 6 years she has studied intensively in Jerez de la Frontera with some of today's most celebrated dancers, including Rafaela Carrasco and Mercedes Ruiz. |

| Jason Vera-y-Aragon Dancer Jason Vera-y-Aragon has studied flamenco since 1999 and has performed as a member of Arte Flamenco under the direction of Natalia Monteleon. He has performed as a dancer and percussionist at The Kennedy Center, Lisner Auditorium, Library of Congress, Baltimore Museum of Art and the Georgetown Club, where he performed for the Ambassador of Spain. He has also performed at the Tivoli Theater in YERMA de Federico Garcia Lorca directed by Hugo Medrano. He studied dance with Edwin Aparicio, La Tati, El Tellez, Eli"La Truco" and is now studying with Genevieve Guinn "La Genoveva." He has also studied flamenco cajon in Spain with Chico Fargas. |